Australian National University · S2 2026 · FACULTY OF MARKETING

MKTG3033 Integrated Marketing Communications

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The Complete Exam Bible · S2 2026

MKTG3033 Overview

Integrated Marketing Communications
— Frame the issue, know the public, plan the campaign and prove it worked.
  • 6 unit undergraduate course
  • Semester 2, 2026
  • In-person workshops
  • Invigilated final exam
  • Research School of Management

Integrated Marketing Communications is an undergraduate course in the Research School of Management at the Australian National University, taught in person in Semester 2, 2026 through pre-recorded lectures and weekly workshops.

  • Assessed by Four coursework tasks plus an invigilated final exam
  • Hardest move Applying a concept to the facts of a new case
  • How to prepare Rehearse framing, targeting, planning and evaluation on fresh scenarios
Why read this guide

What you get in the full MKTG3033 Exam Bible

  1. 10 chapters, 49 pages — every examinable topic, week by week
  2. 26 original practice questions, each with a model answer in the A3 Final Exam format
  3. 10 worked examples, solved the way MKTG3033 marks
  4. 16 computed figures, redrawn from the course’s own numbers
  5. Exam-morning plan for the A3 Final Exam (30%) — what to revise last, where marks are lost

Free on this page: assessment table, chapter map, one worked example, key terms, FAQ. The rest is in the full exam bible.

MKTG3033 · Australian National University
An independent, AskSia-authored study guide. AskSia is not affiliated with, endorsed by, or sponsored by Australian National University; the course code and name are used for identification only.
Assessment

How MKTG3033 is assessed

ComponentWeightFormat
A1 (Part A) Communication Analysis (in-class tasks)15%Individual; four equally weighted in-class written tasks in Weeks 2 to 5
A1 (Part B) Communication Analysis (recorded presentation)20%Individual; 3 to 4 minute video framing analysis, due 3 September 2026
A2 (Part A) Communication Strategy (in-class tasks)15%Individual; four equally weighted in-class written tasks in Weeks 6 to 9
A2 (Part B) Client Pitch Presentation20%Group; 10-minute in-person pitch plus 5-minute Q&A in Week 10 or 11
A3 Final Exam30%Individual; in-person invigilated exam held in the exam period after teaching ends

All five weights come from the Semester 2, 2026 class summary, match the Canvas assessment overview and total 100%. The class summary states that format, timing and permitted materials for the final exam are published on Canvas later in the semester.

A1A 15%A1B 20%A2A 15%A2B 20%Final exam 30%Four coursework tasks and the final exam total 100%.
Other students are asking · MKTG3033

What other students are asking about MKTG3033

Where can I find lecture notes or study guides for MKTG3033 at anu?
The MKTG3033 study guide in AskSia Library covers Integrated Marketing Communications in 10 chapters, with the assessment table, a chapter-by-chapter topic map, key terms and a worked example, free to read on this page.
Is there a final exam in MKTG3033, and how much is it worth?
Yes. In the offering this AskSia Library guide is built from, A3 Final Exam carries 30% of the MKTG3033 mark; the full split is A1 (Part A) Communication Analysis (in-class tasks) 15%, A1 (Part B) Communication Analysis (recorded presentation) 20%, A2 (Part A) Communication Strategy (in-class tasks) 15%, A2 (Part B) Client Pitch Presentation 20%,.
What does MKTG3033 cover on framing: how messages construct reality?
In AskSia Library's MKTG3033 guide, the Framing: How Messages Construct Reality chapter explains frame analysis · competing institutional logics · the comparison questions · recorded framing analysis.
What does MKTG3033 cover on critical audiences, target publics and legitimacy?
In AskSia Library's MKTG3033 guide, the Critical Audiences, Target Publics and Legitimacy chapter explains gambling versus gaming · legitimacy judgements · target publics · personas and role play.
What does MKTG3033 cover on media pathways and news values?
In AskSia Library's MKTG3033 guide, the Media Pathways and News Values chapter explains communication pathways · PESO media types · news values · pathway choice on a budget.
Weights, dates and every chapter are set out with their sources further down this page.
Current dates · verify in LMS

Current MKTG3033 dates

DateItemControl
30 October 2026Class end dateTeaching for the Second Semester 2026 class ends on this date.
Exam period after teaching endsA3 Final ExamIn-person invigilated exam worth 30%; check Canvas and your personal exam timetable for the date, time and permitted materials.
9 December 2026Final exam results returnedReturn of assessment date listed for the A3 Final Exam.

Dates are as published in the Semester 2, 2026 class summary and the 2026 course page. Confirm exact deadlines and submission settings in the live LMS.

Contents · every chapter, one map

What MKTG3033 covers

Ten chapters follow the teaching weeks, from two-way communication and framing through the campaign planning cycle to the client pitch.

01

Strategic Communication as Two-Way Meaning Making

IP-IT model · speaking versus communicating · stakeholders, publics and audiences

Week 1 opens with a reading by Jim Macnamara that separates three ideas people usually blur: speaking, information and communication. Communication, on this view, is the meaning formed in the receiver, so organisations cannot simply send it.

  • Speaking, information and communication as separate ideas
  • Why content counts only as output
  • The IP-IT model of four purposes
  • Speaking-to-listening ratios and transactional communication
  • Stakeholders, publics and audiences compared
  • The talking and listening self-test
In the full guide: 3 pages · 2 practice questions · 1 figure
02

Framing: How Messages Construct Reality

Frame analysis · competing institutional logics · the comparison questions · recorded framing analysis

Framing is the analytical core of the first assessment block. This chapter explains what a frame is, how it builds meaning through selection, emphasis and omission, and why rival actors give one issue different frames.

  • What a frame selects, stresses and hides
  • Cognitive framing through metaphors and key terms
  • One issue carried by several frames
  • Gift and payment logics in donor recruitment
  • The seven comparison questions plus a consequence
  • Planning the recorded framing analysis
In the full guide: 4 pages · 2 practice questions · 2 figures
03

Critical Audiences, Target Publics and Legitimacy

Gambling versus gaming · legitimacy judgements · target publics · personas and role play

Week 3 turns from the message to the people receiving it. This chapter uses the required article on how the shift from gambling to gaming changed perceptions of legitimacy, and the workshop questions on why non-users were more influenced than users.

  • Legitimacy as an audience judgement
  • Gambling versus gaming and the label effect
  • Users, non-users and audience knowledge
  • Target publics in Mahoney’s chapter 6
  • The AI-policy role play for five publics
  • Personas built from evidence
In the full guide: 3 pages · 2 practice questions · 1 figure
04

Media Pathways and News Values

Communication pathways · PESO media types · news values · pathway choice on a budget

Week 4 asks how messages reach people.

  • Pathways as channels for objectives
  • Media fragmentation and the PESO model
  • Reading a media mix from a campaign flowchart
  • Control against credibility across media types
  • Five news values for earned coverage
  • Choosing pathways on a small budget
In the full guide: 5 pages · 2 practice questions · 2 figures
05

Brand, Reputation and Organisational Response

Reputation versus legitimacy · competing narratives · brand reestablishment · voice and authenticity

Week 5 asks what framing means for brands and organisations.

  • A brand as what audiences conclude
  • Reputation and legitimacy as different judgements
  • Competing narratives and organisational response
  • Positioning that flexes across publics
  • Voice, credit and strengths-based storytelling
  • When a trend would damage the brand
In the full guide: 3 pages · 2 practice questions · 1 figure
06

Research and Situation Analysis

RACE and ROPE · review, desktop research, mini analysis · evidence, assumptions and gaps

Week 6 begins the planning half of the course with problem definition and research.

  • Research as the first stage of RACE and ROPE
  • Reviewing a client brief as a team
  • Desktop research sources and tools
  • Writing a mini situation analysis
  • Key issue and key opportunity
  • Evidence, assumptions and information gaps
In the full guide: 4 pages · 2 practice questions · 1 figure
07

Communication Goals and SMART Objectives

Goal ladder · SMART checks · baseline targets · communication versus tactical objectives

Week 7 turns the situation analysis into commitments.

  • Organisational goal, communication goal, objective
  • The five SMART checks
  • A sentence frame for objectives
  • Setting targets from a baseline
  • Communication versus tactical objectives
  • Leading and lagging indicators
In the full guide: 4 pages · 2 practice questions · 1 figure
08

Messages, Publics, Pathways and Tools

Attitudinal segments · values over facts · Vision-Barrier-Action · message pillars by public

Week 8 shows how strategy becomes words.

  • How the message research was built
  • Supporters, persuadables and opponents
  • Four tips on values, story, solutions and tone
  • Intrinsic and extrinsic values
  • The Vision-Barrier-Action framework
  • Message pillars matched to publics
In the full guide: 5 pages · 2 practice questions · 2 figures
09

Campaign Measurement and Evaluation

Outputs, out-takes, outcomes, impact · the Missing Type case · reflection rubric bands

Week 9 closes the planning cycle with one question: how will you know the campaign succeeded?

  • Outputs, out-takes, outcomes and impact
  • Planning evaluation at the start
  • The Missing Type donor campaign
  • Performance against target and baseline
  • Correlation versus causation in results
  • Reflection rubric bands
In the full guide: 4 pages · 2 practice questions · 2 figures
10

The Client Pitch and the Creative Brief

Pitch story · ten-minute timing · creative brief sections · client-agency relationship

Weeks 10 and 11 are live client pitches: ten minutes in person, five minutes of questions, to a panel of the client, tutors and the convenor.

  • A pitch, not a report
  • Situation, insight, big idea, plan, evaluation
  • The ten-minute timing
  • Creative brief sections and constraints
  • The client-agency relationship
  • Preparing the whole team for questions
In the full guide: 4 pages · 2 practice questions · 2 figures

It treats marketing communication as a planned, integrated practice: advertising, direct mail, social media, email, search and content marketing combined so that stakeholders receive clear, consistent information in formats that resonate. The semester has two halves.

In the analysis weeks you learn why sending a message is not the same as communicating, how frames select and hide, why audiences rather than organisations grant legitimacy, how media pathways and news values decide reach, and how brand and reputation depend on what audiences conclude.

In the execution weeks you plan a campaign the way an agency does: situation analysis, communication goals and SMART objectives, messages matched to publics and pathways, and evaluation that separates outputs from outcomes.

The course is research-led, drawing on studies of framing, legitimacy, reputation and audience analysis, and it is built around live clients, ranging from a free tax clinic and a behavioural research lab to a heritage guest house and a First Nations-led community development organisation.

This guide follows those weeks in order, works an original example in every chapter, and closes with mixed practice and an exam-morning page.

Worked example · free

How much of a year's donor need did one campaign month deliver?

Q [6 marks]. A blood service needs 200,000 new volunteers each year. Its Missing Type campaign month produced 57,000 new donor registrations, and the case notes that ethnic minority groups made up 14% of the eligible population but only 5% had given blood in the past year. Judge what the month achieved and what the next objective should be. The six marks shown are a self-marking aid for revision, not a University allocation.
The evaluation chain from outputs to impact in the Missing Type caseFour stacked stages, outputs, out-takes, outcomes and impact, each with one result from the NHS Blood and Transplant campaign, read from top to bottom.OutputsOut-takesOutcomesImpact97% of articles carried a key messageover 19,000 social posts57,000 registrations in the month40,000 monthly target exceeded
The evaluation chain applied to the Missing Type campaign: outputs show the media carried the message, out-takes show people engaged with it, outcomes show registrations, and impact shows the organisation’s target was beaten.
  • +1Place the figure at the right level: registrations are an outcome, the behaviour the campaign objective named, not an output such as coverage.
  • +2Compare with the annual need: 57,000 ÷ 200,000 = 0.285, so one month delivered 28.5% of the year’s required new volunteers.
  • +2Interpret the gap: a strong month still leaves most of the annual need, and the 14% versus 5% contrast shows one segment is far under-represented among donors.
  • +1Recommend: set a separate SMART objective for ethnic minority registrations with its own baseline, so success is judged per segment rather than in total.
The month produced an outcome worth 28.5% of the annual volunteer need, an excellent single-month result, but evaluation should not stop at the total. The next plan needs a segment objective for under-represented donors, measured against their own baseline.
Sia tip — Divide by the figure the organisation actually needs, not only by the campaign target, before calling a result a success.
Glossary

Key terms

IP-IT model
A model of four communication purposes, inform, persuade, interact and transact, ordered from one-way sending to two-way exchange.
Frame
The organising idea that tells an audience what an issue is about by selecting, stressing and omitting facts, words and images.
Cognitive framing
Shaping how people think about an issue through subtle language cues such as metaphors and key terms.
Legitimacy
An audience judgement that an organisation or activity is appropriate and acceptable to exist and operate.
Target public
A defined group with a relationship to the organisation whose information needs a strategy is designed to meet.
PESO model
A way of sorting media pathways into paid, earned, shared and owned types, each trading control against credibility.
News values
The criteria journalists use to judge a story newsworthy: timeliness, proximity, conflict and controversy, human interest and relevance.
Situation analysis
A short, evidenced account of what is happening, why it matters, who is affected and what evidence supports it.
SMART objective
A specific, measurable, achievable, relevant and time-bound statement of the change a campaign must produce in a public.
Vision-Barrier-Action
A message structure that leads with a shared vision and its values, names the barrier, then states the action.
Out-takes
What audiences take from campaign content, such as engagement, shares and website visits, measured between outputs and outcomes.
Creative brief
The client document that sets out background, objectives, audiences, messages, measures, timelines and budget for a campaign.
FAQ

MKTG3033 FAQ

How is Integrated Marketing Communications at ANU assessed in Semester 2, 2026?

The class summary lists five tasks: in-class communication analysis tasks in Weeks 2 to 5 (15%), a recorded framing analysis video (20%), in-class communication strategy tasks in Weeks 6 to 9 (15%), a group client pitch (20%) and an in-person invigilated final exam (30%). Coursework therefore carries 70% of the mark.

What does the final exam assess?

The official overview says it tests understanding of key strategic communication concepts and the ability to apply them in a structured, time-constrained setting. It builds on framing analysis, audience targeting, positioning and campaign strategy. Details of format, timing and permitted materials are released on Canvas later in the semester, so revise by applying concepts to new scenarios.

What is framing and why does the course start there?

A frame selects and stresses some facts, words and images while leaving others out, which tells audiences what an issue is about. The first assessed tasks in Weeks 2 to 5 build skills in identifying, comparing and evaluating frames, and the recorded presentation asks how competing frames affect an organisation’s reputation and legitimacy.

Why do non-users react more strongly to a label change?

In the Week 3 workshop on gambling and gaming, people with direct experience rely on what they already know, while people without it lean on cultural representations. A new label therefore supplies more of a non-user’s understanding, so it moves their legitimacy judgement further. Communicators gain most influence over audiences who know least, which also raises ethical questions.

What structure should the client pitch follow?

The course guidance treats it as a story: situation, insight, big idea, plan and evaluation, inside a ten-minute limit followed by five minutes of questions. The suggested timing gives strategy three minutes and evaluation one. The class summary also asks for a clear strategic process such as RACE or ROPE, linking research, objectives, strategy and evaluation.

What is the difference between outputs and outcomes in campaign evaluation?

Outputs describe what a campaign produced and placed, such as coverage or posts. Outcomes are changes in the audience, such as awareness, attitudes or registrations. In the Missing Type case, articles carrying the key message were outputs, while 57,000 donor registrations in the month were the outcome. Evaluation that reports only outputs measures effort rather than effect.

Can I use generative AI in this course?

The course guidelines encourage thoughtful, ethical use for brainstorming ideas, practising reframing, getting feedback on structure and checking understanding. You may not use it to generate complete assessment responses or analysis, and over-reliance on reflective or analytical tasks is treated as an academic integrity breach. Individual assessment guidelines on Canvas take precedence over the general rules.

Chapter questions

Questions students ask in each MKTG3033 chapter

Why does the course say speaking is not communication?
Speaking produces words, images or video, but meaning only forms when someone receives and processes them. People can decode a message differently, ignore it or understand it and still disagree. The Week 1 reading therefore judges communication by what arrives in other minds, which is why campaign plans must include ways of hearing back. Chapter 01 · Strategic Communication as Two-Way Meaning Making
How do I identify a frame in a news story or advertisement?
Look for the organising idea, then the cues that build it: key words, metaphors, images, who is quoted and what comes first. Ask what cause, judgement and remedy the text implies. Finally ask what is missing. The Week 2 comparison worksheet adds source, intended audience, emotional and rational appeals, and key words. Chapter 02 · Framing: How Messages Construct Reality
Why did changing the word gambling to gaming matter?
The Week 3 article on framing the game shows that cultural representations shape whether consumers see an activity as legitimate. Gaming sounds like entertainment while gambling carries a moral warning, so the label shifted acceptance, especially among people without direct experience who depend on representations to form a view. Chapter 03 · Critical Audiences, Target Publics and Legitimacy
What does PESO stand for in media planning?
Paid, earned, shared and owned media. Paid is space or time bought from a media owner, earned is coverage others choose to give, shared is content people circulate and discuss, and owned is channels the organisation runs. Each trades message control against credibility, so most campaigns combine several types. Chapter 04 · Media Pathways and News Values
What is the difference between reputation and legitimacy?
Legitimacy is the judgement that an organisation or activity is appropriate to exist and operate. Reputation is how well audiences rate its performance and conduct against others. An airline that runs late every week is still accepted as a lawful, appropriate business, yet travellers may rate it poorly, so analyse the two judgements separately. Chapter 05 · Brand, Reputation and Organisational Response
What should a situation analysis include?
The Week 7 workshop asks for four things: what is happening, why it matters, who is affected and what evidence supports your understanding. The course tracker adds a key issue, a key opportunity, an evidence table with sources, and a list of missing information with the person responsible for finding it. Chapter 06 · Research and Situation Analysis
What is the difference between a communication goal and an objective?
A goal states direction, such as making eligible residents aware a free service exists. An objective states proof: a measurable change in a defined public by a date, such as a target number of appointment requests in a season. Goals sit above objectives in the course tracker, and tactics come last. Chapter 07 · Communication Goals and SMART Objectives
Why should campaigns lead with values rather than facts?
The message guide’s research found that values and emotions move people more than statistics do, and that they reject facts that do not feel right. Its advice is to embed facts in an emotive narrative that engages helpful values, such as family love or curiosity, rather than opening with data. Chapter 08 · Messages, Publics, Pathways and Tools
What are out-takes in communication evaluation?
Out-takes sit between outputs and outcomes. They are what audiences take from campaign content, such as engagement, shares, hashtag use and website visits. In the Missing Type case, over 19,000 social posts and 11,000 website visits were out-takes, showing people engaged before the registrations that counted as outcomes. Chapter 09 · Campaign Measurement and Evaluation
How long is the client pitch and who watches it?
The class summary specifies a 10-minute in-person professional pitch plus a 5-minute Q&A, with teams stopped at ten minutes. The Week 9 announcement explained that the panel is the client or its representative, the tutors and the convenor, rather than the rest of the class, so treat it as an agency pitch. Chapter 10 · The Client Pitch and the Creative Brief
Study strategy

How to study for the exam

Revise in two passes that mirror the semester. In the first pass, take chapters 1 to 5 and practise analysis on real material: pick a current news story, name its frame and the cues that build it, identify the public it targets, judge what it does to the organisation’s legitimacy and reputation, and note which media pathway carried it. Doing one of these a day keeps the vocabulary active.

In the second pass, take chapters 6 to 10 and run the planning cycle on one invented client from start to finish: a mini situation analysis, a communication goal, two SMART objectives with baselines, a Vision-Barrier-Action message for your largest movable segment, a PESO pathway mix that fits a small budget, and an evaluation plan that separates outputs, out-takes and outcomes. Finish with a ten-minute pitch outline.

Throughout, reread the feedback from your in-class tasks and pitch, because it shows how this course’s markers reward justification and evidence, and attempt each worked example before reading the model answer.

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