University of Technology Sydney · FACULTY OF STRATEGIC COMMUNICATION

57614 Chap.2 Culture, Myth and Performativity

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Culture, Myth and Performativity

Culture, Myth and Performativity equips students to examine how shared meanings and repeated practices make strategic possibilities appear natural. The key cultural myth relationship is: Strategy changes when people surface the stories and repeated practices that stabilise one frame and make alternatives difficult to imagine.

This means the performativity chapter is not a search for one fashionable idea; it is a disciplined move from contested framing to responsible strategic action.

Cultural Myth defines the principal analytical object. A widely circulating story that turns historically produced values or arrangements into apparently natural common sense.

Set the cultural myth boundary, time horizon and stakeholders explicitly because a different boundary can change both the problem and the apparent success of an intervention.

Performativity supplies the next lens. The production of social reality through repeated language, categories, measures and practices.

Use performativity to trace relationships, meaning, power or adoption rather than adding terminology after the recommendation has already been chosen.

Strategic Framing creates a discriminating test. Selection and organisation of features that define what the problem is, who matters and which actions seem legitimate.

Ask what strategic framing evidence would make this lens strengthen, narrow or reverse the preferred strategy. If strategic framing cannot alter action, it is probably decorative.

A useful cultural myth strategy canvas contains competing frames, system relationships, affected stakeholders, current power, interventions, assumptions, possible harms and learning signals.

Keep performativity disagreement visible; consensus obtained by deleting legitimate interests produces a neat but brittle map.

Look for performativity feedback, delay and displacement. A local cultural myth improvement can move cost to another group or time period, while a reinforcing loop can overpower an intervention after early success.

Draw at least one strategic framing unintended pathway and assign evidence that would reveal it.

Worked strategic situation: An organisation calls constant availability entrepreneurial commitment and treats burnout as individual weakness. State the dominant cultural myth frame and its omissions, map the relevant relationship, and propose an intervention whose purpose, owner and affected group are clear.

Add a plausible performativity counter-story before choosing.

Transfer condition: Change the slogan but retain promotion metrics that reward constant availability; predict the cultural result. Explain which cultural myth frame, loop, power relation or adoption condition remains.

A changed performativity input should not automatically reverse the recommendation; identify the mechanism through which it matters.

The controlling strategic framing boundary is: Interpretive analysis should be tied to observable language, ritual, decision and consequence rather than guessing hidden belief. Put the cultural myth limit beside the claim or intervention it constrains.

A general performativity disclaimer at the end cannot repair an overconfident system map, cultural reading or forecast.

Stakeholder work in cultural myth should affect design and allocation. Distinguish performativity being informed, consulted, partnered and given decision authority.

State what can still change for strategic framing, how disagreement is recorded and what response follows evidence of material harm.

Creative cultural myth interventions can be organised as a portfolio: protect against immediate harm, test uncertain mechanisms and build longer-term capability.

Give each performativity element an assumption, evidence gate, owner, resource limit and relation to the wider strategy.

A strategic framing narrative supports adoption by connecting present condition, causal account, desired future and collective role. Test the cultural myth account against counter-narratives and real consequences.

A persuasive performativity story should make assumptions easier to examine, not conceal who carries transition cost.

For the cultural myth Exploring a Wicked Problem task, prioritise research, competing frames, system relationships and stakeholder consequence before prescribing.

The 45% performativity task should demonstrate why the problem cannot be reduced to one cause or final owner while still producing a useful strategic boundary.

For the 55% strategic framing Creative Portfolio of Wicked Strategies, show coherent variety. Different cultural myth interventions should test different mechanisms or time horizons, not repeat one proposal in several formats.

Explain performativity portfolio logic, resource relationship, risk and how learning will rebalance effort.

Revision for cultural myth, performativity and strategic framing should use one live issue. Reframe the cultural myth issue three ways, alter one stakeholder or system link, and predict what changes.

This builds the performativity transfer required for original strategic work rather than memorising a model map.

Finish with a bounded strategic framing recommendation: what should be tried now, what must be protected, which capability should be built, whose evidence is missing and the observation that triggers review. Responsible cultural myth strategy remains decisive without pretending the wicked system is solved.

In this chapter

What this chapter covers

  • 01

    cultural myth

  • 02

    performativity

  • 03

    strategic framing

  • 04

    examine how shared meanings and repeated practices make strategic possibilities appear natural

  • 05

    Interpretive analysis should be tied to observable language, ritual, decision and consequence rather than guessing hidden belief.

Worked example · free

Reframe a cultural myth case

Q [5 marks]. AskSia original practice weighting: An organisation calls constant availability entrepreneurial commitment and treats burnout as individual weakness.
  • 1State competing frames.
  • 1Map system or power relationships.
  • 1Identify affected stakeholder evidence.
  • 1Design a bounded intervention portfolio.
  • 1Set learning and review rules.
Use cultural myth to fix the object, performativity to trace the mechanism and strategic framing to test the strategic option. Interpretive analysis should be tied to observable language, ritual, decision and consequence rather than guessing hidden belief.
Sia tip — Change one boundary or stakeholder and predict the portfolio response.
Glossary

Key terms

cultural myth
A widely circulating story that turns historically produced values or arrangements into apparently natural common sense.
performativity
The production of social reality through repeated language, categories, measures and practices.
strategic framing
Selection and organisation of features that define what the problem is, who matters and which actions seem legitimate.
FAQ

Culture, Myth and Performativity FAQ

What is cultural myth?

A widely circulating story that turns historically produced values or arrangements into apparently natural common sense.

How does performativity shape strategy?

The production of social reality through repeated language, categories, measures and practices.

Why use strategic framing?

Selection and organisation of features that define what the problem is, who matters and which actions seem legitimate.

What limits Culture, Myth and Performativity?

Interpretive analysis should be tied to observable language, ritual, decision and consequence rather than guessing hidden belief.

Study strategy

Assessment move

Reframe one issue through cultural myth, trace performativity, then let strategic framing change the intervention or review rule.

Working through Culture, Myth and Performativity in 57614? Sia is AskSia’s AI Strategic Communication tutor — ask any 57614 Culture, Myth and Performativity question and get a clear, step-by-step explanation grounded in how 57614 is taught and assessed. Read this chapter free, then take your hardest questions to Sia.

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