City University of Hong Kong · FACULTY OF LAW

LW4641 Chap.4 Originality and the Idea and Expression Divide

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Chapter 4 of 11 · LW4641

Originality and the Idea and Expression Divide

Originality as the reading list builds it

The Lecture 2 reading list assembles the originality standard from cases rather than from a statutory definition. Ladbroke v William Hill is listed as the example of sufficient skill and effort, since the selection and arrangement of bets on a football coupon was protected.

Exxon is listed as the example of insufficient effort, since a single invented word was not a literary work. Interlego v Tyco shows that skill spent merely in copying does not create an original work, and Tai Shing Dairy v Maersk is listed for Hong Kong under the heading of sweat of the brow.

Infopaq's intellectual creation test is listed for comparison only.

Three standards side by side

The course materials contrast the UK tradition of skill, labour and judgment, the EU test of the author's own intellectual creation reflecting free and creative choices, and the United States requirement of a creative spark with functional material filtered out.

The comparison is useful in a policy answer about where the threshold should sit; in a Hong Kong problem, start from the skill and labour tradition.

Why ideas stay free

Expression is protected while ideas, procedures, operating methods and mathematical concepts in themselves are not, as TRIPS Article 9(2) provides. The rule keeps the building blocks of creativity in the public domain.

Where an idea can be expressed only in a few ways, merger denies protection to the expression, and stock elements that follow from a theme, the scenes a faire, are free for all.

Plots, themes and characters

The course compares four cases. In Nichols v Universal Pictures and Baigent v Random House, shared themes were too abstract to be protected or to be a substantial part.

In Shazam v Only Fools, a sitcom character was original and identifiable in the scripts, and a dining show that took it infringed. Brown v Time Warner was dismissed because plots, characters, settings and total concept and feel differed. In software, SAS v World Programming holds that functionality is not protected.

In this chapter

What this chapter covers

  • 01

    Skill, labour and judgment in the reading list

  • 02

    Sweat of the brow and the Hong Kong authority

  • 03

    The EU intellectual creation test as comparator

  • 04

    TRIPS Article 9(2) and the public domain

  • 05

    Merger and scenes a faire

  • 06

    Nichols, Baigent, Shazam and Brown

  • 07

    Functionality in software and tones in music

Worked example · free

Decide whether a copied element is expression

Q [8 marks]. AskSia-authored practice. A cookbook author's book presents dim sum recipes as a week-long family story. A rival publishes a dim sum book with different recipes and text, also organised as a week in a family kitchen. The author claims infringement. Advise. The marks shown are an AskSia study allocation and are not the University's marking scheme.
Levels of abstraction.Levels of abstraction. A court looks for how far down the copied material sits.The further down, the more likely it is protected expressionGeneral themefeuding familiesPlot outlinestock scenesCharacters, scenesspecific traitsText and dialogueexact wordsFree to take: ideas and stock materialProtected if a substantial part
Levels of abstraction. A court looks for how far down the copied material sits.
  • 2Establish that the claimant's book is original.
  • 3Classify the week-long family structure as idea or expression.
  • 3Decide whether anything taken is a substantial part, and conclude.
The book is an original literary work, since writing the recipes and the linking story involved the author's own skill and judgment. The rival took only the organising device of a family week, which is an idea close to a stock scene for a cookbook, and following Designers Guild and Baigent an abstract and simple idea is unlikely to be a substantial part of the work. The recipes and text are different, so no protected expression was taken. Unless particular passages or a distinctive sequence of episodes were copied, the claim fails.
Sia tip — Before asking whether a taking was substantial, say in one sentence whether the thing taken is expression at all; an idea never becomes a substantial part.
Glossary

Key terms

Skill And Labour
The UK originality tradition, carried into Hong Kong, under which a work is original if enough independent skill, labour or judgment went into making it.
Sweat Of The Brow
A low originality threshold that rewards effort in compiling material; the reading list files the Hong Kong authority under this heading.
Intellectual Creation
The EU originality test, under which a work must reflect its author's personality through free and creative choices.
Merger Doctrine
The rule that where an idea can be expressed in only a few ways, the expression is not protected, to avoid a monopoly over the idea.
Scenes A Faire
Stock elements that naturally follow from a theme or setting, which remain free for every author to use.
Substantial Part
The qualitative threshold for infringement by copying; abstract or commonplace ideas are unlikely to meet it.
Total Concept And Feel
One element of the uniform United States test for substantial similarity, alongside plot, characters, theme and setting.
Abstraction Filtration
The United States method of filtering out ideas, functional elements and stock material before comparing what remains.
FAQ

Originality and the Idea and Expression Divide FAQ

What is the originality standard in Hong Kong?

The reading list builds it from the UK skill and labour cases, with Tai Shing Dairy v Maersk listed for Hong Kong under sweat of the brow. A work must come from the author and reflect enough independent skill or judgment; effort spent only in copying, as Interlego shows, is not enough.

Can a plot or theme be protected by copyright?

Only at a level of detail that amounts to expression. In Baigent the central theme of a non-fiction book was a general proposition pitched too abstractly to be expression, and in Nichols a shared story of feuding families was too general, while in Shazam specific character traits fixed in scripts were protected.

What is the difference between merger and scenes a faire?

Merger applies where the idea itself can be expressed in only a few ways, so protecting the expression would protect the idea. Scenes a faire covers stock elements that follow naturally from a theme or setting. Both leave material free, but for different reasons, and naming the right one shows the marker you understand the limit.

Study strategy

Exam move

Make a two-column table with Ladbroke and Exxon at the top, then place every other originality case under the column it resembles. Do the same for idea and expression, with Baigent on one side and Shazam on the other. Sorting cases by result is how you will recall them in the exam room.

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