Hong Kong Baptist University · FACULTY OF ARTS & HUMANITIES

AF7620 Chap.7 Style and Character Consistency in AI Film

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Chapter 7 of 10 · AF7620

Style and Character Consistency in AI Film

The problem the reading sets out to solve

The reading assigned in the technical pipeline lecture is a short published study presented at a leading computer graphics conference in 2025. It begins from a problem every student meets when making an AI film: text-to-image diffusion models make visual experiment easy but often fail to keep style and characters consistent across scenes, which leaves a gap between the filmmaker's intent and what the model can deliver.

The study compares workflows developed while making two fully AI-generated short films and proposes a framework oriented to filmmakers.

Three pipelines, measured

The study measured three generative pipelines. Prompting alone gave medium style consistency, low character consistency and an average of about twenty-one per cent stable frames.

A single LoRA, a lightweight fine-tuned adapter, gave high style consistency, medium to low character consistency and about forty-six per cent stable frames. Several LoRAs used together gave high style consistency, medium to high character consistency and about seventy-one per cent stable frames.

The main limitation of the multi-adapter approach is practical: it needs technical skill and a capable graphics processor.

First film: style held by self-reference

The first film recreated the look of Song Dynasty ink painting.

Its workflow used a commercial image generator with a style-reference feature, feeding each generated image back as the visual prompt for the next so that the look stayed coherent and abrupt shifts were avoided. Prompts were controlled to avoid a synthetic look, and because the painting tradition values spiritual resemblance over likeness, character identity was treated loosely.

Prompts described clothing, age and other visible traits separately for wide, medium and close shots to reduce drift. Even so, the study reports that narrative coherence came more from editing and framing than from the model.

Second film: style and identity separated

The second film aimed for both a consistent style and a character who stayed recognisably the same.

A single adapter trained on a mixed set of style and character images failed, because it could not separate the two, and the character's appearance was unstable. The team instead trained three adapters: one for real-world backgrounds, one for dream sequences and one for the character.

They trained the style adapters first, generated a style-consistent seed image of the character, expanded it by hand into a set of poses and angles, and trained the character adapter on that set.

The result was more stable, identity-preserving output across shots, and because each adapter is parameterised independently, characters and backgrounds can be adjusted separately at any shot distance.

What this means for your pitch

The proof-of-concept asset and the pitch deck both show characters more than once.

The study gives you a defensible reason to budget time for training a character adapter, and a measured result to cite when you explain why.

In this chapter

What this chapter covers

  • 01

    Why diffusion models drift between shots

  • 02

    Stable frames under three pipelines

  • 03

    Style reference and self-referencing

  • 04

    Prompting by shot distance

  • 05

    Why a mixed-data adapter failed

  • 06

    Separate adapters for backgrounds, dreams and the character

  • 07

    Costs of the multi-adapter route

  • 08

    Using the result in a pitch

Worked example · free

Choose a consistency pipeline for a proof-of-concept

Q [8 marks]. AskSia-authored practice. Your pitch needs a proof-of-concept of three frames showing the same animal companion character in a snowy forest, a cave and a city at night. You have one week and a laptop without a strong graphics card. Using the study's results, choose a pipeline, justify it, and say what you would state in the pitch about its limits. The marks shown are an AskSia study allocation and are not the University's marking scheme.
More adapters, more stable frames.More adapters, more stable frames. The rise from prompting to several adapters is the study's central result; the cost is skill and hardware.Average stable frames by pipeline25%50%75%100%21%Prompt onlycharacter: low46%Single LoRAcharacter: medium-low71%Multi LoRAcharacter: medium-high
More adapters, more stable frames. The rise from prompting to several adapters is the study's central result; the cost is skill and hardware.
  • 3Compare the three pipelines against the constraint.
  • 3Choose and justify one route.
  • 2State the limit honestly for the pitch.
Prompting alone kept only about a fifth of frames stable in the study and was weakest on character identity, so it is a poor fit for three frames that must show the same companion. The multi-adapter route was the most consistent at about seventy-one per cent stable frames, but it needs technical skill and GPU power the team does not have this week. The practical choice is a single character adapter trained with a cloud service, supported by prompts that describe the companion's visible traits the same way at every shot distance and a consistent reference image for style; that route roughly doubled stability over prompting alone. The pitch should state that the proof-of-concept used a single-adapter workflow, and that production would move to separate style and character adapters, which the cited study found reduced character drift.
Sia tip — Quote a consistency method together with its measured stable-frame share. A reviewer can check a number; a claim that a method is consistent cannot be checked.
Glossary

Key terms

Style Reference
A feature of some image generators that uses an existing image as a visual prompt, so that new images inherit its look.
Stable Frame
In the study's measure, a generated frame in which style and character remain consistent with the rest of the sequence.
Character LoRA
A fine-tuned adapter trained on many images of one character so that the character's identity is reproduced reliably across shots.
Style LoRA
A fine-tuned adapter trained on images in one visual style, used to keep backgrounds and scenes looking consistent.
Seed Image
A starting image from which further variations are generated or a training set is expanded, used to keep a series anchored to one look.
FAQ

Style and Character Consistency in AI Film FAQ

What is the difference between a style adapter and a character adapter?

A style adapter learns how things look, such as a watercolour texture or a dream-like palette, and applies that to any subject. A character adapter learns who one character is, their face, build and costume, so that the same person appears in any scene. The study found that training them separately worked where one mixed adapter failed.

Is prompting alone ever enough?

For one-off images or a style that tolerates loose likeness, it can be. The study's first film used prompting with a style reference and accepted loose character identity because its painting tradition allowed it. For a narrative with a recognisable lead, prompting alone kept only about a fifth of frames stable, which is why the second film moved to adapters.

Study strategy

Assessment move

Run the study's comparison on your own character: generate the same character ten times with a prompt only, then with a reference image, and count how many results you would accept. Recording your own stable-frame share gives the pitch a measured basis for the pipeline you propose.

Working through Style and Character Consistency in AI Film in AF7620? Sia is AskSia’s AI Arts and Humanities tutor — ask any AF7620 Style and Character Consistency in AI Film question and get a clear, step-by-step explanation grounded in how AF7620 is taught and assessed. Read this chapter free, then take your hardest questions to Sia.

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