UNSW Sydney · FACULTY OF ARTS & HUMANITIES

DDES9010 Chap.4 Sensory Response and Experiential Drawing

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Chapter 4 of 6 · DDES9010

Sensory Response and Experiential Drawing

Experiential drawing translates qualities of perception rather than merely reproducing visible appearance. The Week 2 materials invite attention to sound, light, touch, movement, taste, smell and experience.

These channels become design material when a response is documented, selected and mapped to visible or material behaviour.

A sensory score can record pulse, duration, interruption, pressure, resistance, acceleration or pause. The score is a temporary notation system, not a polished outcome. Several translations can then test whether the selected quality survives changes in mark, material or scale.

Context matters: an audio response may shift once an associated video is seen, and the gap between those records reveals how visual information redirects perception.

Abstraction is selective. A strong experiment chooses a dominant quality and a counter-quality, distinguishes the stimulus from the quality and distinguishes both from the formal device used to express them.

In this chapter

What this chapter covers

  • 01

    Experiential and observational drawing

  • 02

    Sensory qualities as design evidence

  • 03

    Rapid notation before interpretation

  • 04

    Pulse, duration, pressure and movement

  • 05

    Sensory scores and visual keys

  • 06

    Stimulus, quality and formal device

  • 07

    Context shifts and changed response

  • 08

    Feedback on relation rather than mood labels

Worked example · free

Scoring the arrival of a train

Q [4 marks]. Translate an audio experience of a train arriving beneath a platform into an abstract paper response. AskSia practice weighting: 4 marks. This is not an official university marking scheme.
  • 1Record the sensory evidence: low vibration grows, metal clicks repeat faster, air pressure increases and sound drops when the doors open.
  • 1Select gradual compression interrupted by sharp release as the governing relation rather than trying to represent every sensation.
  • 1Translate with charcoal bands whose intervals tighten, small graphite cuts that accelerate and a broad white gap that ends the sequence.
  • 1Compare foil with graphite, reject foil because it overstates the clicks and retain the quieter material that preserves the larger relation.
The response uses tightening charcoal intervals to express compression, accelerating graphite cuts for the metal rhythm and a broad white gap for release. It reconstructs the temporal behaviour of arrival without drawing a train. The material comparison strengthens the rationale because graphite supports the full relation more effectively than reflective foil.
Sia tip — Name the sensory quality before choosing a material. Technique should serve the relation, not become the concept by default.
Glossary

Key terms

Sensory score
A visual or material notation that maps qualities such as pulse, duration, pressure, interruption or movement.
Abstract response
A design that reconstructs selected relations or qualities without relying on literal depiction of the source.
Stimulus
The event, object or condition that initiates a sensory or emotional response.
Formal device
The visible or material operation used to express a selected relation, such as interval, density, fold or contrast.
Context shift
A change in surrounding information or viewing condition that redirects perception of the same stimulus.
Material behaviour
The way a material folds, resists, layers, reflects, transmits or changes under making and viewing conditions.
FAQ

Sensory Response and Experiential Drawing FAQ

How is experiential drawing different from observation?

Observation records visible or spatial evidence from a subject, while experiential drawing translates selected qualities of perception or feeling. The two can work together: observational notes establish conditions, and experiential marks test how sound, pressure, movement or memory might become formal behaviour.

How can I avoid literal illustration?

Separate the source from the quality it produced. A train is a subject; compression and release are selected qualities; tightening intervals and a broad gap are formal devices. If the response depends on drawing the subject object, return to the quality and devise another material or spatial operation.

What should a sensory score include?

Choose a small set of variables and define them. Line weight might show intensity, spacing might show duration and a break might show silence. Include a key, preserve the order of the experience and create several translations so the score remains a tool rather than a final style.

Why compare audio before and after video?

The comparison reveals the effect of context. Qualities that persist may be robust features of the audio response, while qualities that change show how imagery redirected attention or emotion. Keep both records unchanged and annotate the difference instead of forcing them to agree.

How should I use peer feedback on experiential work?

Ask peers to describe pace, pressure, emphasis, direction and transition before asking for mood words. Compare their relational account with your score. A different emotional label may still confirm the formal relation, while a missing relation signals that the device needs revision.

Study strategy

Assessment move

Use short sensory exercises to build translation fluency. Listen, touch or move through a condition and make rapid notes before naming a concept. Choose one dominant quality and one counter-quality, then map them to explicit visual variables. Produce at least three responses using different devices while holding the selected relation steady. Ask for descriptive feedback and compare it with the score.

Keep the source condition, score, material alternatives, feedback and revision on adjacent diary pages. Review each sequence for literal symbols and remove any device that cannot be justified through the selected quality. The best preparation is repeated practice in turning private perception into visible, testable relationships. Maintain a small notation key and reuse it across several stimuli before changing the symbols.

Consistency will reveal whether the score captures sensory behaviour or merely follows each source's appearance. When a symbol changes, annotate the reason and test whether another reader interprets the revised relation as intended.

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